小米4c换无框屏幕教程:能不能介绍一下《加勒比海盗》系列？

故事发生在传说中海盗最活跃的加勒比海（Caribbean Sea）。这片神秘的海域位于北美洲东南部，那里碧海蓝天，阳光明媚，海面水晶般清澈。17世纪的时候，这里更是欧洲大陆的商旅舰队到达美洲的必经之地，所以，当时的海盗活动非常猖獗，不仅攻击过往商人，甚至包括英国皇家舰队。

　　英俊迷人的杰克·斯伯洛（（强尼·戴普 饰）），是活跃在加勒比海上的年青海盗，拥有属于自己的"黑珍珠号"海盗船。对他来说，最惬意的生活就是驾驶着"黑珍珠"在加勒比海上游荡，自由自在的打劫过往船只。但不幸的是，这悠闲洒脱的日子到底还是结束了--他遭到了海盗头目巴伯萨的欺骗，连自己珍爱的"黑珍珠号"海盗船也被巴伯萨偷走。

　　统领着一群海盗的巴伯萨（杰弗里·拉什 饰）是一个无恶不作的坏蛋，他不但打劫财物，还把船上的所有人都斩尽杀绝，不留活口。过往船只经过加勒比海时都胆战心惊，最怕遇上巴伯萨一伙。抢劫了杰克的"黑珍珠号"海盗船后，巴伯萨更加猖狂，在加勒比海上横行霸道，一时成为整个加勒比海的霸主。

　　随着自己的势力日渐强大，巴伯萨妄想长生不死的贪婪野心也在不断膨胀。他企图解开传说中魔咒金币的秘密使自己获得永生，却想不到反而遭到了邪恶的诅咒--每当月圆之夜，巴伯萨和其他"黑珍珠号"上的船员都会变成骷髅，而且终身禁欲髅，不能享受性和美食，甚至不能正常的走路。

　　变成了不死骷髅的巴伯萨，率领着"黑珍珠"号在加勒比海上更加肆无忌弹。一次，他们把船开进了皇家港并袭击了小镇，还绑架了总督的女儿伊莉莎白·斯万（姬拉·丽莉 饰）——因为这个女孩的脖子上佩带着一枚神秘金币。和伊莉莎白青梅竹马的铁匠学徒威尔·特纳（奥兰多·布鲁姆 饰），眼看自己心爱的女孩被海盗抓走，悲愤不已。恰巧的是，曾经身为"黑珍珠号"海盗船船长的杰克·斯伯洛，也由于自己的海盗身份被关进了这个海边小城的监狱。

　　铁匠威尔想方设法救出了狱中的杰克，接着，两人偷来英国皇家舰队最快的"拦截号"军舰。威尔为了救回深爱的女孩伊莉莎白，杰克为了夺回原本属于自己的"黑珍珠号"，驾驶着"拦截号"军舰迅速向"黑珍珠"追去。

　　海盗们以为佩带着神秘金币的伊莉莎白可以帮助他们解开身上的神秘咒语，并想用她的鲜血来施用巫术。就在千钧一发之际，铁匠威尔和海盗杰克驾驶着军舰赶了上来，在他们身后，还有因被偷走军舰而穷追不舍的皇家军官诺灵顿。于是，海盗们扯起"骷髅旗"，杰克拔出手枪和剑，威尔挥起一把大刀，诺灵顿指挥手下端起长枪，一场壮烈的人鬼大战就此拉开……

加勒比海盗1
剧情简介：
故事发生在传说中海盗最活跃的加勒比海（Caribbean Sea）。这片神秘的海域位于北美洲东南部，那里碧海蓝天，阳光明媚，海面水晶般清澈。17世纪的时候，这里更是欧洲大陆的商旅舰队到达美洲的必经之地，所以，当时的海盗活动非常猖獗，不仅攻击过往商人，甚至包括英国皇家舰队。
英俊迷人的杰克·斯伯洛（（强尼·戴普 饰）），是活跃在加勒比海上的年青海盗，拥有属于自己的"黑珍珠号"海盗船。对他来说，最惬意的生活就是驾驶着"黑珍珠"在加勒比海上游荡，自由自在的打劫过往船只。但不幸的是，这悠闲洒脱的日子到底还是结束了--他遭到了海盗头目巴伯萨的欺骗，连自己珍爱的"黑珍珠号"海盗船也被巴伯萨偷走。
统领着一群海盗的巴伯萨（杰弗里·拉什 饰）是一个无恶不作的坏蛋，他不但打劫财物，还把船上的所有人都斩尽杀绝，不留活口。过往船只经过加勒比海时都胆战心惊，最怕遇上巴伯萨一伙。抢劫了杰克的"黑珍珠号"海盗船后，巴伯萨更加猖狂，在加勒比海上横行霸道，一时成为整个加勒比海的霸主。
随着自己的势力日渐强大，巴伯萨妄想长生不死的贪婪野心也在不断膨胀。他企图解开传说中魔咒金币的秘密使自己获得永生，却想不到反而遭到了邪恶的诅咒--每当月圆之夜，巴伯萨和其他"黑珍珠号"上的船员都会变成骷髅，而且终身禁欲髅，不能享受性和美食，甚至不能正常的走路。
变成了不死骷髅的巴伯萨，率领着"黑珍珠"号在加勒比海上更加肆无忌弹。一次，他们把船开进了皇家港并袭击了小镇，还绑架了总督的女儿伊莉莎白·斯万（姬拉·丽莉 饰）——因为这个女孩的脖子上佩带着一枚神秘金币。和伊莉莎白青梅竹马的铁匠学徒威尔·特纳（奥兰多·布鲁姆 饰），眼看自己心爱的女孩被海盗抓走，悲愤不已。恰巧的是，曾经身为"黑珍珠号"海盗船船长的杰克·斯伯洛，也由于自己的海盗身份被关进了这个海边小城的监狱。
铁匠威尔想方设法救出了狱中的杰克，接着，两人偷来英国皇家舰队最快的"拦截号"军舰。威尔为了救回深爱的女孩伊莉莎白，杰克为了夺回原本属于自己的"黑珍珠号"，驾驶着"拦截号"军舰迅速向"黑珍珠"追去。
海盗们以为佩带着神秘金币的伊莉莎白可以帮助他们解开身上的神秘咒语，并想用她的鲜血来施用巫术。就在千钧一发之际，铁匠威尔和海盗杰克驾驶着军舰赶了上来，在他们身后，还有因被偷走军舰而穷追不舍的皇家军官诺灵顿。于是，海盗们扯起"骷髅旗"，杰克拔出手枪和剑，威尔挥起一把大刀，诺灵顿指挥手下端起长枪，一场壮烈的人鬼大战就此拉开……

加勒比海盗2
上映日期：2006年6月30日
剧情梗概：

杰克船长将再次走进超自然的神奇世界，他发现自己原来欠下“飞行荷兰人”海盗船船长戴维·琼斯一笔血债。时间在不断流逝，杰克必须找到一条正确的还债之路，否则，他将会得到无休无止的诅咒，并将在后半生过着奴役般的生活。好象这些还不够，杰克船长所面临的问题还有很多，他还要设法破坏威尔·特纳(奥兰多·布鲁姆饰)和伊丽莎白·斯旺(凯拉·奈特丽)一对幸福情侣的美满婚姻，这对有情人是在遭遇一次意外时被迫加入杰克船长一伙的

加勒比海盗3
暂定于2007年上映，具体剧情暂时不清楚

The extensive location shooting in the Bahamas for Disney's PIRATES OF THE CARIBBEAN sequels, starring Johnny Depp as Captain Jack Sparrow, is ending at last, reports Michael Singer, press liaison officer for the production. "We are finishing mid-week, and this completes our location photography in the Caribbean region," Mr. Singer told THE BAHAMA JOURNAL on Monday, February 27th. PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST, the second part of the saga, completed photography earlier in February, and is due in theaters on July 7th. Although the Caribbean phase of PIRATES 3 is concluding, Mr. Singer said production continues on the third film; it is not yet complete. "We will be doing more filming on PIRATES OF THE CARIBBEAN 3 beginning again in late summer," Singer confirmed. "That will be mostly local production in the Los Angeles area."

"Swashbuckling, sea monsters and box office gold . . . Jack's back to steal summer in PIRATES 2: DEAD MAN'S CHEST," blares the cover of the April issue of UK's TOTAL FILM. (To see a larger version of the cover, click HERE.) The magazine features a four-page article on DEAD MAN'S CHEST, including some publicity shots; a charming description of Johnny Depp's appearance at the Disney corporate meeting, where he stole the show; and comments from Jerry Bruckheimer, Gore Verbinski, Keira Knightley and Johnny himself. Johnny's remarks about the creation of Captain Jack will be very familiar to Deppheads, but the quotes from Jerry and Gore seem fresh. Gore tells TOTAL FILM, "I think Jack is the character Johnny Depp was born to play. He's just a great meal that you want more of."

It took nearly a year to get the first PIRATES OF THE CARIBBEAN sequel in the can, but writer Ted Elliott reports (via his Wordplayer site) that, at long last, DEAD MAN'S CHEST completed filming on February 7th at about 5:45 a.m., otherwise known as the crack of dawn. Ted adds that DMC filming concluded with two solid weeks of sunset-to-sunrise night shooting. That must have been brutally difficult for the cast and crew, so we salute them for having the courage and fortitude to follow orders and stay true in the face of danger and almost certain exhaustion . . . .

PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST is due in theaters July 7th. We wish Gore Verbinski and his talented crew smooth sailing through the seas of post-production. Thanks to Gilbert's Girl and gilly for posting the happy news!

The Johnny Depp Zone celebrates its one-millionth visitor this week by adding a new PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST gallery--it it the last entry in our BY FILM section. We have tried our best to avoid any pictures that might contain major spoilers; if you have already seen the trailer, you will recognize all the images here. Most of the pictures are close-ups of Captain Jack's incomparably expressive face. The photographs are screencaps made by sjc; we thank her very much for sharing her work! Thanks also to emma for sharing the POTC:DMC posters, and to theresa for her help in preparing the gallery.

he quirky ingenuity of Johnny Depp is on display in the new movie Pirates of the Caribbean: The Curse of the Black Pearl. It's not exactly as outrageous as his performances in the likes of Ed Wood and Fear in Loathing in Las Vegas, but he's still got his own distinctive touches on this pirate portrayal. The studio was concerned about him masquerading in ugly long locks, gold teeth and a goatee, but Depp refused to do the movie unless he got to dress his own way. Depp is one of the few Hollywood movie stars that upholds principles of creativity, the art of performance. As in any movie he does, he tries things with Jack Sparrow that haven't been done before in a pirate picture.

UGO: Are your gold teeth still in?

Johnny Depp: They're still there, yeah. I never had a chance to take them out.

UGO: What are they?

JD:They're gold and platinum.

UGO: Caps?

JD: It was a cap. It was molded to my teeth to fit over my teeth, and then they bonded them onto my teeth.
UGO: Why is it so important to bring an element of eccentricity to your characters?

JD:I'm a sucker to my own brain. It reaches a point where you can't help yourself. Regardless of what other people are saying around you or even whispering around you, that maybe they're not so content or happy with the work or with the character, because maybe they feel it's a little bit too much, I couldn't help myself. I had a very strong feeling about the guy, about the character, and I couldn't control it. It had to come out.

UGO: Didn't you receive any resistance about your characterization from the producers?

JD:Well, yeah. Early on, for quite a while.

UGO: How did you fight back?

JD: Basically - I remember I had two more gold teeth, and there were a few that wanted them gone卛n fact, wanted them all gone. And they wanted the braids in my beard gone, and they wanted a lot of the trinkets and things gone. I just basically said, 'I respect you guys. I'll compromise to some degree, which means I'll take two teeth out. Cool. But anything beyond that, I feel, is compromising the integrity of the character, and I'm not willing to do that. You've got to trust me. You've got to let me do what you hired me to do, and if you're not happy with doing that, then you've got to replace me.'

UGO: How did you develop your special idiosyncratic walk?

JD: The way I walked, well, it was a couple of things. To me, it was like this guy who had spent a very, very long time on the ocean battling the elements. It was a guy who had spent way too much time in the sun, so maybe his brain was literally cooked a bit. And he was way more comfortable on the deck of a ship, in terms of the rhythm of the ocean, than he was on dry land. And I think he would also be a guy who would understand that, like, he could take that and use it to his advantage, you know. As if to hypnotize someone. He'd kind of go back and forth and hypnotize them, kind of like a cobra, a moving target. So, that's where it came from. I thought he would hate being on land.

UGO: How did you approach comedy?

JD: I tend to find an opportunity to throw in humor on any level, even when it doesn't apply. I mean, I've done it in scenes in Blow and other things where it probably shouldn't have been there, but it just seemed to work at the time. So I'm always trying to throw as much humor into a part as I can. This guy, I knew this guy so well, I felt so comfortable playing him that way, I couldn't help myself.

UGO: How has your relationship with Hollywood changed?

JD: For five years, I've been living in France and in the States to some degree a little bit, because I'm not a resident of France. But it has done wonders for my relationship with Hollywood. And also having kids, just in terms of not really- - I'm so removed from it that I don't know anything. I mean, I don't know who anybody is. I don't know who's famous. I don't know who's not famous. I don't know who's rich, who's poor, who's successful, who's a drag. I don't know anybody. I don't know what made money and what didn't make money. And it's great.

UGO: Wouldn't you consider yourself as someone with atypical celebrity status?

JD: Atypical celebrity status? [Laughs] Sounds like a really weird disease.

UGO: Popular, highly revered, lots of fans, but you're an outsider that brings a singular, distinctive type of performance to your work.

JD: I hope so. Well, thank you.

UGO: Is this how you envisioned your career?

JD: I knew that, for instance, once I was able to get off of the television series [21 Jump Street], which was for me on one hand like a great blessing in terms of, I could have this great education for me, being in front of the camera five days a week, seven to nine months out of the year卛t was a really good education. But it was also sort of assembly line, in my opinion garbage, and wasn't remotely satisfying in any creative way at all. In fact, it was more frustrating, so I felt like I'd been dealt some really harsh prison sentence. I know that sounds extreme, but it just felt bound.

UGO: So what took place after you got off the television series?

JD: So once I got off and started doing movies, regardless of what's going to happen, I was doing the things that I wanted to do. I feel really lucky that I've been able to do those movies and play those characters. So, I'm really proud of all the films, all the experiences. Performance, that's another thing. That's none of my business. It's not for me to judge.

UGO: When stuff comes on TV, what's the hardest to look at?

JD: All of it, but two things happened in the last two years. I was in France last year, and Ed Wood came on television. It was dubbed in French, and it was so surreal. So, I watched like 10 minutes of it dubbed in French. Another time, What's Eating Gilbert Grape came on, which is a film I've never seen. And it was the opening credits and then the opening scene, and it got me to the point, I was trying to watch a little bit of it and I started to hyperventilate. I just shut the T.V. off and walked away.

UGO: Why have you never watched Gilbert Grape?

JD: Well, as it is with most of my movies, the films that I've done, and there's no disrespect for the crew or the filmmakers or the writers or anything like that. It's nothing to do with them. I always figure that once I've wrapped on a film, my job is done. Anything beyond that is none of my business. So, if I can avoid seeing the final product, I like to, because then all I have in my head is the experience and I feel very good about the experience. Gilbert Grape was a rough time for me just in terms of I don't know where I was, emotionally or psychologically.

UGO: Even the positive reception didn't interest you in seeing it?

JD: I was really touched and pleased that people liked the film and people understood Gilbert and Arnie. I was real happy when Leo got a nomination for the Academy Awards and I was disappointed that Darlene Cates didn't get a nomination, who played our mother. But certainly I was real pleased that people liked the movie, but I just didn't feel like I needed to see it. There's a few of 'em I haven't seen.

UGO: Which of your movies has your daughter seen?

JD: Yeah. What has she seen? She saw Edward Scissorhands. I wasn't there when she saw it, but she saw Edward Scissorhands. And I think she saw Benny and Joon.

UGO: Does she understand what you do?

JD: Not just yet. It hasn't really registered that daddy's an actor. There was a woman at some restaurant who asked what her parents did, and Lilly Rose said, 'Well, my mommy's a singer.' And the lady said, 'Oh, yeah? What does your daddy do?' and she said, 'My daddy's a pirate.'

UGO: And your son's too young?

JD: Yeah, Jack's into a primitive vocabulary at the moment. Rah.

UGO: You'll have to see Pirates with your kids, right?

JD: I haven't seen the movie yet, but I suppose I'm going to have to at the premiere. I don't think there's any escaping Disneyland [the premiere's location]. I think it'd be okay for my kids, won't it?

UGO: Some of it is scary.

JD: I can always cover her eyes or something. It'd be a great excuse to leave.

UGO: Are you up for a sequel?

JD: Yeah, I would love it - the amount of fun that I had on this film was criminal, really. There were moments when the director and I would sort of look at each other and just go, 'Can you actually believe that we get to do this and we're getting paid for this?' Yeah, if there was a sequel - in a perfect world, it's Ted Elliot and Terry Rossio writing it, it's Gore Verbinski directing it, I'd be there in a second.

UGO: Will you keep your teeth in the meantime?

JD: No, I think I'm going to get them off tomorrow.