wow7.3萨格拉斯之血:有好心人能帮我翻译一下这一小段英文么?不胜感激!

来源:百度文库 编辑:高校问答 时间:2024/04/29 16:37:19
When we look at the pictures of that time, it becomes obvious that she did her utmost to create autonomous works of art which were not mere copies of real life-a demand that was undoubtedly discussed quite vehemently in Murnau-while at the same time avoiding any illusion of spatial perspective by means of her composition and distribution of colours. Gabriele Munter’s procedure was well calculated to be of help in her efforts. Before painting a picture ,she often started with small sketch-wike line drawings which she then transposed almost identically onto the canvas in the form of solid, black contours,before colouring in the internal structures .By refusing to model the colour areas or use different shades within them , she managed to avoid three-dimensional effects.Also ,Gabriele Munter was the first artist to discover Bavarian stained glass windows which came very close to her ideal of simplified forms. She even used this technique herself , which then inspired Kandinsky ,Jawlensky and Marianne von Werefkin to experiment with it.

当我们看那次的照片时候,它变成明显她做了她的极限产生不是真正生活的只副本的艺术自治工厂-一个无疑地在 Murnau 中被相当激烈地讨论的要求- 当同时的时候经由她的作文和颜色的分配避免任何空间远景的幻影。 Gabriele Munter's 的程序很好地被计算是她的努力帮忙。 在内在的结构色彩之前在油漆一张照片之前,她时常从她然后几乎同一地以固体的形式在帆布之上调换的小素描- wike 的线画,黑色的等高线开始。藉由拒绝在他们里面做模型颜色区域或使用不同的色度,她设法避免三度空间的效果。同时, Gabriele Munter 对她的单一化的表格理想是第一个艺术家发现被沾染受到玻璃窗户的影响巴伐利亚人非常接近的。 她甚至用了这技术她自己 , 然后得到灵感的 Kandinsky , Jawlensky 和玛丽安出自 Werefkin 以它作实验。